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Showing posts with label Deluxe Edition. Show all posts
Showing posts with label Deluxe Edition. Show all posts

Saturday, April 13, 2013

Blind Melon Release Deluxe Edition of 1992 Debut Album with Five Unreleased Tracks (Out April 16th on Capital/UMe)

Posted on 6:34 PM by Unknown
After reviewing Blind Melon bassist Brad Smith's last Abandon Jalopy disc, I've been looking for an opportunity go back and give a listen to Blind Melon. The reissue of the band's 1992 self-titled debut may be a good place from which to reassess my (somewhat dated) views of the band's music as this new deluxe edition includes the original 12-track disc plus five bonus tracks from a scrapped session that the band recorded in Los Angeles with Neil Young producer David Briggs (entitled 'Sippin' Time Sessions'). There are some bootleg videos from this session on YouTube and I like what I've heard thus far.

Blind Melon Release Deluxe Edition of 1992 Debut Album with Five Unreleased Tracks (Out April 16th)
Blind Melon’s self-titled 1992 debut album, Blind Melon, featuring the now-iconic “bee girl” on its cover, has been remastered for the first time and expanded with the band’s previously unreleased “Sippin’ Time Sessions” EP for release on CD and digitally by Capitol/UMe on April 16. Creation of the new edition has been overseen by band members Brad Smith and Christopher Thorn. On April 20, a 180-gram gatefold 2LP vinyl edition of the remastered Blind Melon album and “Sippin’ Time Sessions” EP will be available exclusively at Record Store Day-participating retailers.

Blind Melon’s lead single, “No Rain,” became a phenomenon when coupled with the brilliant music video that launched a thousand “bee girl” Halloween costumes. The song broke the fledgling band into major stardom as a No. 1 chart smash on Billboard’s Mainstream Rock and Modern Rock singles charts, and it went Top 5 on the Top 40 Mainstream singles chart. The album’s second single, “Tones Of Home,” was a Top 10 Mainstream Rock hit. Blind Melon peaked at #3 on the Billboard 200 albums chart and in the Top 10 of Billboard’s Heatseekers chart.

The band’s first professional studio recordings, cut at Sound City Studios in 1991, comprise the previously unreleased, five-song “Sippin’ Time Sessions” EP: “Dear Ol’ Dad,” “Soul One,” “Tones Of Home,” “Seed To A Tree,” and “Mother.” Included in all of the new edition’s configurations, the EP’s tracks have been newly remixed by Brad Smith and Christopher Thorn.



"When I pulled up the tracks, I was immediately taken back to the feeling of walking into a big studio for the first time,” says Brad Smith. “Everyone seemed to be on fire, especially Shannon. It was super refreshing to hear full takes without overdubs! 2" tape, 24 tracks and dudes in a room with mics... amazing! David Briggs took us to Sound City because he had worked there with Neil Young and really liked the Neve board that was in there. Listening back to the tapes, I realize he made the perfect choice for us. We are lucky to have these recordings!"

“I am very excited that these recordings are finally being heard,” says Christopher Thorn. “As I was mixing the tracks I realized just how lucky we were to record at the legendary Sound City Studios with John Hanlon as our engineer and David Briggs as our producer. They taught us so much about how to capture our sound on tape. David was in the tracking room with us, conducting and dancing along with us. I felt so inspired by him. It is one of my favorite memories during this session. This was a magical time for our band and I am very excited that our fans will finally get to hear and feel just how pumped we were to be making our first recordings. Hearing Shannon's voice on these recordings gave me chills and reminded me why I still miss him every day."

Blind Melon’s founding members, Shannon Hoon (vocals), Rogers Stevens (guitar), Christopher Thorn (guitar), Brad Smith (bass), and Glen Graham (drums), each hailing from small towns in Mississippi, Indiana and Pennsylvania, first crossed paths in the late 1980s as young Los Angeles transplants, all seeking like-minded musical collaborators somewhere outside the city’s tangle of metal band hair. They came together to form Blind Melon and signed with Capitol Records in 1991; their self-titled debut was released the following year.

Blind Melon’s second album, Soup, was released in 1995. After a concert in Houston on October 20, 1995, Hoon died at the age of 28. Without Shannon Hoon, Blind Melon’s remaining members decided it would be best to end the band, and they went on to pursue their own interests. The band would go into hiatus for the next 12 years.

Over the years, it was clear that there was still an unmistakable demand for the band. It was around 2007 that Smith and Thorn were asked to produce a few tracks for Texas-based singer/songwriter, Travis Warren – who also happened to be a diehard Blind Melon fan. Working with Warren on his demo, Smith jokingly said to Thorn that Warren “could sing Blind Melon songs in his sleep.” The idea was born. The four remaining members – who hadn’t been in the same room in years – came together to be reacquainted with each other, and to meet with Warren. Soon after, it had become apparent that they had finally located Blind Melon’s new singer. With Stevens and Graham reclaiming their original positions, Blind Melon was back.



Setting up shop at Wishbone Studios, the reformed band spent most of 2007 writing and recording. But before issuing a new album, the group decided to introduce their newest member via a highly successful and completely sold out club tour in late 2007. If the strong response from fans at these shows is any indication, the group’s upcoming shows and forthcoming new music will continue to spread the word even further. The band has since performed all over the globe and plans on continuing to write, record and play into 2013, celebrating their 20 years of dedication to their music and to keeping Shannon`s memory alive.

Links:
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Posted in Abandon Jalopy, Blind Melon, Brad Smith, Deluxe Edition, Rogers Stevens, Shannon Hoon | No comments

Saturday, May 26, 2012

Paul McCartney - "RAM" Special Edition CD Review

Posted on 6:58 PM by Unknown
STREAM: Paul McCartney - "Uncle Albert/Admiral Halsey" (from RAM)

Paul McCartney - 'RAM' Special Edition CD Review
When reviewing deluxe reissues, I generally don’t attempt to review the original album as, most often, there is little to add to the hundreds of reviews that have already been written. That being said, I don’t think I had heard Paul McCartney’s second solo LP RAM (originally released in 1971) before and was taken aback by how well this disc stacks up against today’s indie-pop music. It seems such a contradiction in terms to mention Sir Paul and “indie-pop” in the same sentence but…there are definitely elements on this disc (layered production, orchestral elements) that are heard on modern releases from bands like Arcade Fire and Of Montreal.



To provide some background on the original recording of RAM, Paul composed the songs (with input from Linda) while on an extended holiday on McCartney’s farm on the Mull of Kintyre, Scotland. A number of the videos on the bonus DVD were filmed on the McCartney’s farm during this period. RAM was recorded in New York and Los Angeles and the McCartneys’ backing band was recruited via open auditions. The RAM sessions were prolific and a number of the songs not included on the original 12-track disc ended up as b-sides and on later Wings’ releases.

According to the online “Paul McCartney Sessionography”, twenty-three tracks were recorded:

The "RAM" Sessions (Late January - Late February 1970)

Released as a Single in Advance of RAM but Not Included on the Original LP
Another Day (RAM bonus track)
Oh Woman, Oh Why (RAM bonus track)

Original Issue of RAM
Too Many People
3 Legs
Ram On
Dear Boy
Uncle Albert-Admiral Halsey
Smile Away
Heart of the Country
Monkberry Moon Delight
Eat at Home
Long Haired Lady
RAM On (Reprise)
The Back Seat Of My Car

RAM Bonus Tracks
A Love for You
Sunshine, Sometime (also on Rupert the Bear soundtrack)
Hey Diddle
Rode All Night

Unreleased Tracks from the RAM Sessions
Dear Friend
Little Lamb Dragonfly
Get On The Right Thing
Now Hear This Song Of Mine
When The Wind Is Blowing

Musicians:
Paul McCartney - Vocals, guitar, bass, piano, keyboards
Linda McCartney - Vocals, keyboards
Dave Spinoza - Guitars
Hugh McCracken - Guitars
Denny Seiwell - Drums, percussion

The remaining two bonus tracks – “Great Cock and Seagull Race” and “Little Woman Love” – were respectively recorded at the Wild Life sessions in 1971 and “The First Singles Session” in Spring 1972.



My review copy came with bonus DVD from the Deluxe Edition (and this set includes 2 extra CDs - the remastered Mono edition of RAM and the Thrillington CD along with a 112 page book). The playing time on the DVD runs about 25 minutes. While I would have like more material, the likely reality is that the footage used is all that exists from this time period as Macca didn’t tour until 1972 with Wings.

The features on the bonus DVD are:

1 – Ramming – The Story of the Album: This is a current-day audio interview with Macca (backed by studio shots of the recording session which are presumably were shot by Linda) where he reflects on working with Linda in the studio, hiring the band and he also talks about the impetus behind some of the songs. (Note: Macca states that “Dear Boy” was directed at Linda’s x-husband – not, contrary to popular belief, John Lennon)

2 – “Heart of the Country” & “3 Legs”: Both of these are promo videos which combine video footage of the McCartney family at home (and at play) in Scotland with the studio versions of these songs.

3 – “Hey Diddle”: This is an “impromptu” acoustic live performance of Paul and Linda sitting outside of their farmhouse singing this song, backed by Paul’s acoustic guitar.

4 – “Eat at Home” On Tour: This is an early promo video that combines live footage (from Wings 1972 tour) interspersed with tour bus and ‘day in the life’ footage of the band



Links:
Paul McCartney
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Posted in CD Review, Deluxe Edition, Hear Music, Paul McCartney, Ram | No comments

Monday, December 12, 2011

Erika M. Anderson (EMA) Announces Deluxe Edition of "Past Life Martyred Saints" / Show at Music Hall of Williamsburg on March 16, 2012

Posted on 4:08 PM by Unknown
EMA - Angelo by souterraintransmissions

Erika M. Anderson (EMA) Announces Deluxe Edition of 'Past Life Martyred Saints' / Show at Music Hall of Williamsburg on March 16, 2012 EMA has announced the first dates of a spring North American headlining tour, which will launch on March 1st at the Rickshaw Stop in San Francisco, CA and continue through March 16th at the Music Hall of Williamsburg in Brooklyn, NY. Tickets for the show at MHOW go on sale on Friday, Dec. 16th at 12PM (EST) and are $12 in advance and $15 DOS. All of the announced tour dates are listed below.

Year-end praise has begun to roll in for EMA's debut album Past Life Martyred Saints (Souterrain Transmissions), which has continuously garnered acclaim throughout 2011 from The A.V. Club, Flaunt, Foam, NPR, Nylon, Pitchfork, Popmatters, Refinery29, Rolling Stone, SPIN, Stereogum, Time Out New York, Under The Radar, Village Voice, and Zink, among others. The album has already found spots on best of '11 lists both here and abroad, including the BBC Music Writers' Top 25 Albums of 2011 (#20), The Quietus Albums of the Year 2011 (#27), SPIN's 50 Best Albums of 2011 (#3), and Stereogum's Top 50 Albums of 2011 (#7), while The Sunday Times (UK) named her the #1 New Artist of 2011. Album track "California", meanwhile, can also be found on year-end lists such as Consequence Of Sound's Top 50 Songs of 2011 (#7), Rolling Stone's 50 Best Singles of 2011 (#39), and SPIN's 20 Best Songs of 2011 (#3).

EMA - former GOWNS singer/guitarist Erika M. Anderson - has spent the better part of the year on the road in support of the May release of Past Life Martyred Saints. Since March, she and her band have performed at festivals including SXSW, the Pitchfork Music Festival, The Great Escape, Primavera Club, and the CMJ Music Marathon, while also touring aross the US, UK, and Europe as both a headliner (selling out the Mercury Lounge and Glasslands in New York) and as support to CSS, MEN, Wild Beasts, Kurt Vile, Zola Jesus, and Dale Earnhardt Jr. Jr., among others.



A deluxe edition of Past Life Martyred Saints will be released exclusively via iTunes on February 7th, 2012 and will feature: original iTunes bonus track "To Leave With Love"; videos for album tracks "California", "Milkman", and "Marked"; and her cover of Nirvana's "Endless, Nameless", originally featured on SPIN's Nevermind tribute album Newermind, as well as the track's accompanying video. EMA's recent single Angelo/Marked is currently available as a limited edition 7-inch (only 1,000 copies printed worldwide) exclusively via Insound and digitally via all major retailers. The single's new song B-side "Angelo", which features a guest verse by Mz'Gorjis of Oakland, CA's Platnum Platnum Glam Squad, is streaming above.

EMA spring 2012 North American headlining dates:

MAR. 1 -- SAN FRANCISCO, CA -- RICKSHAW STOP
MAR. 2 -- LOS ANGELES, CA -- NATURAL HISTORY MUSEUM
MAR. 6 -- DENVER, CO -- HI-DIVE
MAR. 8 -- MINNEAPOLIS, MN -- 7TH STREET ENTRY
MAR. 9 -- MADISON, WI -- THE FREQUENCY
MAR. 10 -- CHICAGO, IL -- LINCOLN HALL
MAR. 11 -- CLEVELAND, OH -- BEACHLAND TAVERN
MAR. 13 -- TORONTO, ON -- THE GARRISON
MAR. 14 -- MONTREAL, QC -- IL MOTORE
MAR. 15 -- BOSTON, MA -- BRIGHTON MUSIC HALL
MAR. 16 -- BROOKLYN, NY -- MUSIC HALL OF WILLIAMSBURG



Links:
EMA
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Posted in Deluxe Edition, EMA, Erika M. Anderson, Gowns, MHOW | No comments

Thursday, October 20, 2011

Nirvana - "Nevermind" 2CD Deluxe Edition CD Review

Posted on 3:41 PM by Unknown
Nirvana - 'Nevermind' 2CD Deluxe Edition CD ReviewIf the deluxe edition of Nirvana's seminal 1991 disc Nevermind had come out prior to 2004's With the Lights Out box set, it would have broken new ground. Unfortunately, the bonus material on this new 2CD set is an anti-climactic snooze-fest that will likely be of interest only to Nirvana completists.

Jumping in - Disc One contains a remastered version of the original 13 tracks from Nevermind along with the b-sides from the "Smells Like Teen Spirit", "Lithium", "Come as You Are" and "In Bloom" CD singles. There is nothing new here and used copies of both Nevermind and the four singles are commonly found in the bargain bins of the local CD shops. Not to pile on but...these remastered tracks fall victim to the "loudness wars" complaints that have plagued many recent reissues.

Disc Two contains the eight tracks recorded at Butch Vig's Smart Studios during April 2-6, 1990, eight rehearsal tracks recorded on a boombox in March 1991 and "Drain You" from a John Peel session (Sept. 3, 1991) and "Something in the Way" from a Mark Goodier session (Nov. 9, 1991). The "problem" with the majority of the tracks on Disc Two is that they sound very close to the final studio versions and offer no new insight to songs or their evolution.

Smart Studios sessions, Madison, Wisconsin, April 2–6, 1990
"In Bloom"
"Immodium (Breed)"
"Lithium"
"Polly"
"Pay to Play" (originally released on With the Lights Out)
"Here She Comes Now" (originally released on With the Lights Out)
"Dive" (originally released on Insecticide)
"Sappy"

I don't believe that the "boombox rehearsals" were bootlegged (unlike the heavily bootlegged Smart Studio sessions) so a number of these tracks were new to me. I didn't mind the somewhat dodgy sound quality (tape hiss, etc.) but, again, these tracks sound like raw, lo-fi takes of the final studio versions so there aren't any surprises. Butch Vig commented to Rolling Stone: "The boombox recordings are some of the coolest stuff for hardcore fans. They sound super lo-fi and dirty and trashy, really primal."

Boombox rehearsals, Tacoma, Washington, March 1991
"Smells Like Teen Spirit" (originally released on With the Lights Out)
"Verse Chorus Verse"
"Territorial Pissings"
"Lounge Act"
"Come as You Are"
"Old Age"
"Something in the Way"
"On a Plain"

"Drain You", from the Sept. 3, 1991 John Peel radio session, was (for some strange reason) separated from the other two tracks from this session which are found on With the Lights Out. "Something in Way" is the last of four tracks recorded for a Mark Goodier session in Nov. '91 and the first three tracks were released on Insecticide.

Even with the disc selling new (through Amazon third party sellers) for $14.96, there just isn't enough here to justify the investment. Ultimately, this a 'curiosity' that will likely sit on the shelf after a spin or two.

Links:
Nirvana
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Posted in CD Review, Deluxe Edition, Kurt Cobain, Nirvana | No comments

Monday, September 12, 2011

Thin Lizzy - "Black Rose" Deluxe Edition CD Review

Posted on 7:25 PM by Unknown
Thin Lizzy - 'Black Rose' Deluxe Edition CD ReviewThe early part of 1978 was a prolific period for members of Thin Lizzy. The late January / early February sessions yielded most of Black Rose (1979) along with tracks that appeared on Gary Moore’s solo disc Back on the Streets and Phil’s Solo in Soho CD.

To echo the same thing that I said about the Bad Reputation deluxe edition, the Andy Pierce remaster sounds great and one can clearly hear all of the subtleties and dynamics within the music. It has been years since I’ve heard this album and it has aged well to my ears. The somewhat dated 70’s funk/boogie of Johnny the Fox has been left in the past and this is classic arena rock featuring some stellar song writing and the twin guitar leads of Gary Moore and Scott Gorham. Even the casual Lizzy fans will know “Waiting for An Alibi” and “Do Anything You Want To” but other tracks like “Got To Give It Up” and Gary Moore powered “A Roisin Dubh (Black Rose): A Rock Legend” shouldn’t be missed.

I’ve got mixed feelings on the bonus tracks. While it is great to hear the embryonic versions of tracks that ended up on Black Rose and Gary Moore’s Back on the Streets (specifically “Don’t Believe a Word”) albums, I have nine of the disc’s ten tracks on the eighteen track “Black Rose Sessions” bootleg CD. The issue isn’t that these tracks were bootlegged but rather than the legitimate release doesn’t include half of the Black Rose sessions. It seems both curious and arbitrary that the slow version of “Don’t Believe A Word” (from Gary Moore’s Back on the Streets disc) was included and "Parisienne Walkways" wasn’t. (…or that “Rockula/Rock Your Love”, which was probably intended for Solo in Soho, was included and “Hate” wasn’t).

My view is that the recent slew of 2CD Deluxe reissues (from all bands) are targeted to the longtime fan as an “upgrade” rather than new fans. Given that the limitation (from the 80’s) of a maximum of a ~40 minute running time for CD is long in the past, this is a decent upgrade but it falls short of what it could have been.

Track List for Black Rose Bonus Disc

1. Just The Two Of Us (Do Anything You Want To B-Side)
2. A Night In The Life Of A Blues Singer (longer version)
3. Rock Your Love (unreleased)
4. Don't Believe A Word (slow version)
5. Toughest Street In Town (different version)

1978 Nassau Session
6. S & M
7. Got To Give It Up
8. Cold Black Night (unreleased)
9. With Love
10. Black Rose

Thin Lizzy – Black Rose Sessions Bootleg

1-21-78 Rampart Studios
1) Rockula [aka “Rock Your Love”] (unreleased/written by Jimmy Bain)
2) A Night In the Life of a Blue Singer (long version)

1-22-78 Rampart Studios
3) Cold Black Night (Unreleased)
4) Hate (Unreleased)
5) With Love (with Huey Lewis on harmonica)
6) Parisienne Walkways (with Huey Lewis)
7) Black Rose (with Huey Lewis)
8) Got to Give It Up (slower / different lyrics)
9) Toughest Street in Town (lyrics dubbed too nasty by record company)
10) Don’t Believe a Word (slow version – Lynott / Moore vocals)

Good Earth Studios 2-1-78
11) Ode to a Black Man (Original version)
12) Spanish Guitar (demo / different lyrics)
13) Parisienne Walkways (demo)
14) Are You Ready (Unreleased Studio Version)
15) Blackmail (Unreleased by Lizzy – on first Wild Horses Album)
16) Waiting for an Alibi (Slower / different Lyrics)
17) Fanatical Fascists (Lynott vocals)

Unknown Date / Location
18) Leaving Town (Unreleased)
19) Just the Two of Us ("Do Anything You Want To" b-side)



Links:
Thin Lizzy
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Posted in CD Review, Deluxe Edition, Phil Lynott, Thin Lizzy | No comments

Thursday, August 25, 2011

Thin Lizzy - "Bad Reputation" Deluxe Edition CD Review

Posted on 7:20 PM by Unknown
Thin Lizzy - 'Bad Reputation' Deluxe Edition CD ReviewThin Lizzy’s Bad Reputation is the latest in an on-going series of deluxe reissues from the band. Breaking from the last set of reissues, this disc doesn’t include a second bonus disc but rather appends six bonus tracks to the original disc’s nine tracks to take the total running time up to 58 minutes. (Strangely, this reissue was originally announced as coming with a nine-track bonus CD).



Bad Reputation was originally released in 1977 and the band benefited from a switch to producer Tony Visconti as he captured critical elements of the band’s live sound and swagger that were missing from Johnny the Fox. This new reissue sounds great – there is a notable improvement over the previously released versions of Bad Reputation and this set of reissues (which includes Black Rose and Chinatown) are the first to actually use the 2010 remasters by Andy Pierce. The five of the bonus tracks are from a John Peel Session that the band recorded for the BBC in 1977. Four of the five tracks were released on Thin Lizzy’s Peel Sessions CD in 1994 but that disc is way out of print and used copies generally sell for too much on Amazon and eBay ($40+). The last track is a soundcheck recording of “Me and the Boys” which was recorded at an unspecified location.



The high point of this reissue is that it sounds great and it is selling at a reasonable price point (~$16.00, which includes shipping to the US if you order from Amazon.co.uk; the US version will be released next month and is posted at a pre-sale price of $17.99 on Amazon.com).



The only potential negative is that Thin Lizzy announced last month that “October 2012 will see the release of a lavish collection of BBC material 'At The BBC’ that will be available in three formats ' a 7CD, 1 DVD boxset, a 2CD anthology and a 5 LP vinyl set”. Given this, it makes me wonder how quickly these five BBC tracks are going to be redundant.







Bad Reputation Bonus Tracks:

1. “Killer Without A Cause” - BBC Session, 01/08/1977

2. “Bad Reputation” - BBC Session, 01/08/1977

3. “That Woman's Gonna Break Your Heart” - BBC Session, 01/08/1977

4. “Dancing In The Moonlight (It's Caught Me In A Spotlight)” - BBC Session, 01/08/1977

5. “Downtown Sundown” - BBC Session, 01/08/1977

6. “Me And The Boys” – Soundcheck



Links:

Thin Lizzy
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Posted in CD Review, Deluxe Edition, Phil Lynott, Thin Lizzy | No comments
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