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Saturday, December 17, 2011

New York Dolls - "Lookin' Fine on Television" DVD Review (MVD Video)

Posted on 5:58 PM by Unknown
New York Dolls - 'Lookin Fine on Television' DVD Review (MVD Video"The legendary and infamous New York Dolls at their best! Amazing rare live clips and interviews filmed by Bob Gruen and Nadya Beck in the heady days of the band's ascension in the 70s. Footage from early shows in NYC all the way to the TV studios, clubs and swimming pools of Los Angeles. Black and white film was never so colorful! Includes ripping versions of "Personality Crisis," "Who Are the Mystery Girls?" "Babylon" and more. See the incredible early days of the band that influenced generations of punks and rockers." -- Press Release

I'm the wrong person to write a review of the latest archival DVD from the New York Dolls, Lookin' Fine on Television, as my expectations likely don't match that of a casual fan. To back up, I've bought pretty much every NY Dolls release that I could put my hands over the last twenty years so I have a (too) large collection of the band's commercial releases, quasi-legitamate releases and bootlegs. As such, my expectations are high for any new archival release and Lookin' Fine on Television is a "good" but not "great" addition to the band's catalogue.

This new DVD consists of live audio tracks (likely from the '73 era of the Dolls) over which Gruen and Beck over-layed cut together live footage of the band playing that song from a number of different shows. The footage used came from a variety of shows which include local shows at Kenny's Castaways and Max's Kansas City as well as footage from the band's late '73 West Coast tour. Some of the footage includes clips of the band with Peter Jordan on bass, with Arthur (with his arm still in a cast) looking on, very brief clips from the band's Red Patent Leather era and some great shots of the Dolls' Halloween show at the Waldorf Astoria. As complete performances of songs from some of these shows were released on All Dolled Up, I keep hoping that the full performances will be released so I was a bit disappointed that the cut-together shots on Lookin' Fine on Television end up feeling more like a MTV-style music video than a live performance.



On a positive note, there is some cool interview footage sequenced between the songs. The disc starts with an impromptu interview with the full band who are relaxing on a meadow overlooking the City (and there are some brief shots of future Dolls Peter Jordan and Tony Machine during the interview). There are various clips from a poolside interview with David Johasen which was filmed in Los Angeles and there is also news footage coverage of the Dolls' 1973 Halloween bash.

The disc ends with a bonus clip that is absolutely priceless - this is a 1976 clip of David Johansen interviewing journalist Lisa Robinson on the street outside of CBGB and the taping is 'crashed' midway by a very mod-looking Johnny Thunders.

Links:
New York Dolls
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Posted in David Johansen, DVD Review, Johnny Thunders, MVD Visual, New York Dolls | No comments

Friday, December 16, 2011

Lissie Releases Cover of The Pretenders' "2000 Miles" as Free Download

Posted on 5:22 PM by Unknown
DOWNLOAD: Lissie - "2000 Miles" (Live - not on Live at Shepard's Bush Empire CD/DVD)

Lissie Releases Cover of The Pretenders' '2000 Miles' as Free DownloadHappy holidays!

I wanted to share my version of the Pretenders' '2,000 Miles' from a show I did last year in London! I hope it's a nice complement to your holiday season and helps ya to feel festive! I also hope you all have a very happy holiday surrounded by loved ones and delicious food!

Love, Lissie


Links:
Lissie
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Posted in Lissie, The Pretenders | No comments

The Magnetic Fields Return to Merge for Tenth Disc "Love at the Bottom of the Sea" / Show at Beacon Theater on April 3rd

Posted on 2:14 PM by Unknown
The Magnetic Fields Return to Merge for Tenth Disc 'Love at the Bottom of the Sea' / Show at Beacon Theater on April 3rdThe Magnetic Fields’ Love at the Bottom of the Sea will be released by Merge Records on March 6. The band’s tenth full-length album is their first release of new material with Merge since 1999’s highly acclaimed 69 Love Songs. The band will celebrate their new album with a North American tour that passes through the SXSW Music Showcase in Austin, Texas.

After putting out three synthesizer-free albums, The Magnetic Fields are returning to the signature mix of synth and acoustic sounds they established in the 90s with Merge releases such as The Charm of the Highway Strip and Get Lost. Stephin Merritt has come back to the synth with a fresh approach: “Most of the synthesizers on the record didn’t exist when we were last using synthesizers,” he notes. The songs — none over three minutes long — were recorded in Los Angeles, San Francisco and New York with Merritt’s usual cast of collaborators: Claudia Gonson, Sam Davol, John Woo, Shirley Simms, Johny Blood and Daniel Handler.

There will be a limited-edition eggshell-colored vinyl available exclusively to those who pre-order the album at the Merge Records store. The first 100 people who order the album from Merge will receive a free signed poster and a Magnetic Fields button, as well.

The Magnetic Fields’ debut album Distant Plastic Trees was released in 1991. In 1999, The Magnetic Fields’ three-CD collection, 69 Love Songs, established Stephin Merritt as one of his generation’s most talented songwriters. That breakthrough was followed by three albums on Nonesuch Records: i in 2004, Distortion in 2008 and Realism in 2010. Between Magnetic Fields releases, Merritt has recorded side projects and albums with his various other bands, Future Bible Heroes, the Gothic Archies and the 6ths, as well as soundtracks to the films Eban and Charley and Pieces of April. In 2006, Nonesuch also released a collection of songs Merritt wrote under the name The Gothic Archies to accompany the Lemony Snicket books, The Tragic Treasury: Songs from a Series of Unfortunate Events. In 2009, Merritt scored the Off-Broadway adaptation of Neil Gaiman’s novel Coraline.

'Love at the Bottom of the Sea' Track Listing:
1. God Wants Us to Wait
2. Andrew in Drag
3. Your Girlfriend’s Face
4. Born For Love
5. I’d Go Anywhere with Hugh
6. Infatuation (With Your Gyration)
7. The Only Boy in Town
8. The Machine in Your Hand
9. Goin’ Back to the Country
10. I’ve Run Away to Join the Fairies
11. The Horrible Party
12. My Husband’s Pied-a-Terre
13. I Don’t Like Your Tone
14. Quick!
15. All She Cares About Is Mariachi

The Magnetic Fields’ Tour Dates:
March 6 -- Helsinki Hudson, Hudson, NY
March 7 -- Union Transfer, Philadelphia PA
March 14, 15, 16 -- SXSW, Austin, TX
March 18 -- The Vogue, Vancouver, BC
March 19 -- Neptune Theater, Seattle, WA
March 20 -- Neptune Theater, Seattle, WA
March 21 -- Roseland Theater, Portland, OR
March 23 -- Orpheum Theater, Los Angeles, CA
March 24 -- Fox Theater, Oakland, CA
March 26 -- Vic Theater, Chicago, IL
March 27 -- Vic Theater, Chicago, IL
March 28 -- Englert Theater, Iowa City, IA
March 30 -- Sound Academy, Toronto, ONT
March 31 -- Le National, Montral, QUE

April 3 -- Beacon Theater, New York, NY
(Tickets are currently on-sale and range from $35 - 40)

April 6 -- Berklee Performance Center, Boston, MA
April 7 -- Berklee Performance Center, Boston, MA
April 9 -- 9:30 Club, Washington, DC
April 11 -- Cat’s Cradle, Carrboro, NC
April 12 -- Cat’s Cradle, Carrboro, NC
April 14 -- Variety Playhouse, Atlanta, GA

Links:
The Magnetic Fields
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Posted in Beacon Theater, Merge Records, The Magnetic Fields | No comments

Thursday, December 15, 2011

Meat Puppets- "On My Way" CD Review (MVD Audio)

Posted on 3:51 PM by Unknown
DOWNLOAD: Meat Puppets - Live @ KCRW Studios, 1-16-86
(contains live versions of many of the songs from On My Way)

Meat Puppets- 'On My Way' CD Review (MVD Audio)The Meat Puppets’ Up On the Sun (1985) was a staple of my college radio days and there was a rumor circulating at the time that the popularity of the disc was going to lead to the Pups signing to a major label. At this point in the band’s career, Curt’s songwriting had significantly matured, leaving no trace of the speedballing freaked-out punk from the band’s first disc.

Drummer Derrick Bostrom noted that, after the lengthy Up On the Sun tour, “no longer were we scruffy punks making noise for the party-soundtrack of our peers, we were now the proprietors of a prosperous new franchise”. As such, the Pups decided to record their next disc outside of an SST studio and planned test the chemistry at a local Phoenix studio with a stop-gap EP, “Out My Way”, prior to recording a full-length disc later in the year. (Those plans quickly changed after Curt broke some of his fingers and Mirage was delayed until almost a year later).

Out My Way was originally released as a 24 minute six track EP and this reissue has now been expanded to 52 minutes with the addition of seven bonus tracks. Most of the songs are straight-forward country-flavored 70’s rock with a little bit of Byrdsian psychedelia (“Other Kinds of Love”) thrown in. The disc opens with the rave-up “She’s Hot”…and the original disc closed on a similar note with Pups steamrolling through a cover of “Good Golly Miss Molly”. There isn’t a bum track on the disc but two of the stand-out tracks are “Not Swimming Ground” and "Mountain Line", which captures the classic Pups sound.



The bonus tracks, which were recorded around the same time as the EP, show the influences on the band range from George Jones (one of the bonus tracks is the Jones popularized song “Burn the Honkey Tonk Down”) to Foghat / ZZ Top-style southern boogie to Grateful Dead style jam bands (“Everything is Green” is a 8+ minute instrumental of Curt jamming to a drum track). The one oddball track of the lot is “Backwards Drums”, which has a trance dance- club sound. Derrick Bostrom describes this last track as being cut during Curt’s wood-shedding period for Monsters. The disc also includes a bonus live video of the Pups covering Hendrix’s “Little Wing” live at The Stone in San Francisco which shows just how tight the band had become musically.



Links:
Meat Puppets
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Posted in CD Review, Cris Kirkwood, Curt Kirkwood, Meat Puppets, MVD Audio | No comments

Wednesday, December 14, 2011

The Fall - "Ersatz GB" CD Review (Cherry Red Records / MVD Audio)

Posted on 6:41 PM by Unknown
The Fall - 'Ersatz GB' CD Review (Cherry Red Records / MVD Audio)Toward the end of last month, The Fall released their 29th studio disc Erstaz GB (Cherry Red Records / MVD Audio). Longtime champion of the band John Peel said that “The Fall are always identifiably The Fall, but they do seem to evolve” and there is no mistaking Mark E. Smith’s garbled stream-of-conscious, sing/speak vocals on Erstaz GB which are interwoven into a dense layer of frenetic punk riffs, rumbling dirge and crashing heavy metal chords that collectively end up not too far from the music on The Fall’s last two discs.

This disc also marks the most stable lineup that The Fall have had in years as Pete Greenway (guitar), Dave Spurr (bass), Keiron Melling (drums) and Elena Poulou (keyboards) started with the band on 2008’s Imperial Wax Solvent and soldiered on for 2010’s Your Future, Our Clutter.

As to be expected, Smith lets his bile flow across the disc’s ten tracks. Erstaz is defined as “made or used as a substitute, typically an inferior one, for something else” and Smith lets loose his observations on middle-class culture (in addition to taking a swipe at Snow Patrol) with his typical non-sequitur rants. Musically, the band careens between amphetamine-fueled post-punk (“Cosmos 7”, “Taking Off”), metal (“Greenway”, which is a reworking of Anorimoi’s ”Game Boy”) and rockabilly (“Mask Search”). One notable exception is “Happi Song”, which is a Velvet Underground style number sung by the now third Mrs. Smith, Elena Poulou.

The Fall have been on the road touring in advance of the release of Ersatz GB and below are some live performance of songs from this disc.





Trying to interpret Mark E. Smith's lyrics is a thankless task and one is probably happier not knowing what was on Smith’s mind when he spits out “I had to wank off the cat to feed the fucking dog” (“Greenway”)...but Smith has long used his vocals as a musical weapon. Amusingly, I’ve made fun of hair bands (Bon Jovi and Warrant) in the past for their rhyming lyrics and Smith seems to take his own swipe at lazy lyricists by stringing together all sorts of crazy words that rhyme during the 6 minute rant “Nate Will Not Return”. The disc ends with the propulsive “Age of Chang” on which Smith repeats the chorus “Time for a Change”. With Smith’s track record of leaving dozens of former band members by the roadside over the course of his 30+ year career, I’d start getting nervous if I were one of the other members of The Fall.

The Fall just finished a UK tour last month and are off the road until March '12 when they are playing some shows in France as a run-up to the UK All Tomorrow's Parties Festival.

Links:
The Fall
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Posted in CD Review, Mark E. Smith, MVD Audio, The Fall | No comments

Tuesday, December 13, 2011

LA Guns Replace “New” Vocalist Dilana as Lead Singer after Two Months / BrooklynRocks Publisher Rejected as Replacement

Posted on 6:22 PM by Unknown
LA Guns Replace 'New' Vocalist Dilana as Lead Singer after Two Months / BrooklynRocks Publisher Rejected as ReplacementOnly kidding about the later portion of the title but…Tracii has swapped out Jizzy Pearl’s replacement, former Rock Star: Supernova contestant, Dilana Robichaux after just two months with the band. Tracii has had a revolving cast of vocalists over the years but Dilana’s departure has to set the record for the shortest tenure. Dilana’s replacement is Tony West, who played with the band Blacklist Union (never heard of him or the band…but I never heard of Chris Van Dahl either before or after his tenure in LA Guns).

According to Blabbermouth, Dilana called the band "a fucking joke" after being fired by Tracii and said "I have all the notes written n some recorded about this very fucked up L.A. GUNS tour," she wrote. "One day, you will understand!"

Editor's Note: Would anyone understand what is going on in Tracii's head at this point in time?

Tracii followed this by saying: “It was truly the best L.A. GUNS I ever heard on stage, hands down. Sometimes the greatest art comes from the madness and this was the case here. I know Dilana is ripping on every aspect of the situation and I know that’s how she vents, so I am OK with it. “

After watching one episode of Rockstar: INXS (and being nausiated), I’m opposed to any “reality show” contestant fronting ANY band. My fear is that I’ll see Sanjaya fronting a metal band as he will end up being “the most popular” contestant. (Crowdsourcing musicians doesn’t work!! What happened to talent and synergies within the group?). You can watch and decide for yourself if this swap-out is an improvement.



Somwhere, Steve Riley and Phil Lewis are laughing…

Links:
LA Guns
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Posted in LA Guns, Tracii Guns | No comments

Deep Purple - "BBC Sessions 1968 - 1970" CD Review

Posted on 5:44 PM by Unknown
Deep Purple - 'BBC Sessions 1968 - 1970' CD ReviewAfter getting fairly annoyed / disappointed with the recent series of major label “deluxe reissues” (Nirvana, Pink Floyd, etc.), Deep Purple’s The BBC Sessions 1968/70 is a welcome change - along with being a great addition to the band’s extensive catalog. It isn’t quite fair to call this 2CD set a “deluxe reissue” but about half of these tracks had circulated previously on various compilations and reissues. This is the first time though that ALL of Deep Purple’s BBC session that were recorded between 1968 – 1970 have been released in chronological running order.

Disc One chronicles the band’s under-documented Mk 1 line-up's sessions for the BBC. Disc Two douments the early days of the Mk 2 lineup and captures this lineup prior to their initial studio release (In Rock) with a session that took place less than two months after the Mk 1 lineup came to a close. This 2CD set also comes with a 10-page booklet that details each of the sessions and the songs played. The sound quality on Disc One varies (depending on the source material) but the flaws are minor. The sound quality on Disc Two is “pin drop” perfect.

Disc One – Mk 1 Lineup (Seven previously unreleased songs + a previously unreleased brief interview with Rod Evans)

John Peel “Top Gear” Session – June 18, 1968
- "Hush",
- "One More Rainy Day"
- "Help"

“Symonds on Sunday” Session - 1968
- “And the Address"

John Peel “Top Gear” Session – January 14, 1969
- "Hey Bop A Re Bop" (early version of "The Painter")
- "Emmaretta"
- "Wring That Neck"
- "Hey Joe"
- "It's All Over"

"Sounds like Tony Brandon" Show Session – June 24, 1969
- “The Painter”
- "Lalena"

Chris Grant’s “Tasty Pop Sundae” Session – June 30, 1969
- "The Painter"
- “I’m So Glad”
- “Hush”

Disc Two – Mk 2 Lineup (Ten of the eleven songs along with a brief interview with Jon Lord were previously released on 2002’s Listen, Learn, Read On box set)

“Symonds on Sunday” Session – August 11, 1969
- “Ricochet” (early version of “Speed King”)
- “The Bird Has Flown”

Stuart Henry’s “Noise at Nine” Session – October 31, 1969
- “Speed King”
- “Jam Stew” (aka “John Stew”)

Mike Harding’s “Sound of the Seventies” Session – April 21, 1970
- "Hard Loving Man"
- "Bloodsucker"
- "Living Wreck"

BBC Transcription Services Session – September 23, 1970
- “Black Night”
- “Grabsplatter” (Early instrumental version of “I’m Alone”)
- “Into the fire”
- “Child in Time”

Links:
Deep Purple
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Posted in CD Review, Deep Purple | No comments
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