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Thursday, July 12, 2012

Lightouts: Brooklyn Electro-Rock Duo Post "The Big Picture" as a Free Download

Posted on 3:27 PM by Unknown
DOWNLOAD: Lightouts - "The Big Picture"

Lightsouts: Brooklyn Electro-Rock Duo Post 'The Big Picture' as a Free Download
Earlier this month, Brooklyn eletro-rock duo Lightouts released their fifth single, "The Big Picture" and this will be band's last single before their debut album, Want, comes out later this year.

"The Big Picture" premiered on Spinner.com a few days ago and singer Greg Nelson described the song as "a fuzzed-out epic pop juggernaut about transcending doubt, circumstance and fate. 'Hearts can change, spells will break'". While I don't know about all that - Lightouts is the first band that I've heard in a long time whose music captures the melodies and urgent rhythms of post-punk bands like The Cure and New Order. Adding to the comparison to The Cure, Lightouts close the new three-track single with a cover of The Cure's "Push".

Below is the A-side to one of the band's earlier singles - "The Cure for Shyness".



Lightouts Bio (snippet):
It started with a want ad, plastered across the board of a post-industrial space near the Gowanus Canal. The request? Quite simple: “Robert Smith/Emily Haines, where are you?” The kind of thing you’d expect from a New Mexico native who studied the Cure’s bleak but beautiful hooks at a time when riff-raking guitar heroes were all the rage.

“People would always say, ‘Why would you want to play like Robert Smith?’” explains Lightouts founder Gavin Rhodes, last heard in the one-man band Honeypower. “‘Wouldn’t you rather learn how to shred instead?”

Not quite. More like become the instrument-swapping backbone of a fuzz-flecked band like the Jesus & Mary Chain. Enter Greg Nelson, the only sane person who answered Rhodes’ call. Luckily he was exactly what Lightouts needed: a seasoned member of the NYC music scene with the war stories to prove it (let’s just say Lady Gaga opened up for his band Luxe Pop at a Lower East Side club in 2007). More importantly, Nelson’s a natural at toeing the line between darkness and light, as exemplified by the sky-scraping choruses of “See Clear,” the sinewy melodies of “The Eloise Suite,” and the vapor trail verses of “Dress Shop.”


Links:
Lightouts
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Posted in electro-rock, Lightsouts, The Big Picture | No comments

Wednesday, July 11, 2012

Win Tickets to FELA! on Broadway on Wednesday, July 18th at Al Hirschfeld Theatre (Times Square)

Posted on 6:58 PM by Unknown


Win Tickets to FELA! on Broadway on Wednesday, July 18th at Al Hirschfeld Theatre (Times Square)
I've got five pairs of tickets to give away to the July 18th performance of FELA! on Broadway (which is at the Al Hirschfeld Theatre - 302 West 45th Street, Times Square). To enter - please send an email with subject "FELA! on Broadway" with your first and last name to Mike [dot] BrooklynRocks @ gmail [dot] com. Winners will be chosen at random on Monday morning, July 16th.

I went to the near sold-out show last night and the show completely exceeded expectations. (Review forthcoming...)

A spectacularly inspiring and triumphant tale of courage, passion and love, FELA! is based on the life of Fela Kuti, who created Afrobeat—a blend of jazz, funk and African rhythm and harmonies—and mixed these sensual eclectic rhythms with simple but powerful lyrics that openly assailed Nigeria’s corrupt and oppressive dictatorships. Featuring many of Fela Kuti’s most captivating songs performed by a combined cast of the original Broadway production and the Royal National Theatre production all under Bill T. Jones’s visionary staging, FELA! reveals Kuti’s life as an artist and human rights activist and celebrates his pioneering music in what has been hailed as one of the most exciting, exhilarating and vital stage experiences in recent memory.

FELA!, the joyous dance, theater, music spectacle, has thrilled audiences in three continents. The Tony Award® winner, directed and choreographed by Bill T. Jones explores the extravagant world of Afrobeat legend, Fela Kuti. FELA! comes to Chicago’s Oriental Theater following its sold-out run at London’s prestigious National Theatre where The Guardian’s Michael Billington exclaimed, “It breaks down conventional barriers between stage and auditorium and joins passion and politics. The dancing is ecstatic, the music lifts the spirits, and the stage is alive with movement.” After Ben Brantley of the New York Times raved, “There should be dancing in the streets!” Bill T. Jones earned a Tony Award® for Best Choreographer. He was also given the Astaire Award and received a 2010 Kennedy Center Honor along with Oprah Winfrey.



Links:
FELA!
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Posted in Fela Kuti, Fela on Broadway, Ticket Giveaway | No comments

Madball - "Rebellion" CD EP Review (Black N Blue)

Posted on 6:24 PM by Unknown
> Growing up I knew too many bands that were desperate to be signed to a major label (to steal a phrase from Steve Albini - they were “anxious to be led around by their nose rings”) and, of the bands I knew, I can’t think of one that “broke out” and actually made any money. With too many people waiting for life to happen to them, I’ve admired Freddy Madball for years for making things happen on his own – Madball has been making music on their own terms for almost 25 years, Black N Blue Productions has put on high-quality shows for the last couple years and now Freddy has branched out by releasing the new Madball EP on his new label - The Black N Blue.

This new 6-track EP, “Rebellion”, follows in the same vein as 2010’s Empire and the only real change is that drummer Jay Weinberg has been replaced by Mike Justian (x-Red Chord). For this outing, Madball is working once again with producer Erik Rutan and the new EP features four new tracks along with re-recordings of “Get Out” and “It’s My Life”, both of which were originally recorded for Madball’s 1989 debut “Ball of Destruction”.

The disc starts with "You Reap What Yow Sow" which has everything that you would expect from this classic NYHC band. The track opens with Hoya's rumbling bass and follows this with some crushing downtuned guitar riffs and fast breaks. Freddy ferociously spits out lyrics about someone who has never changed and never grew up, trading off call-and-response vocals on the chorus.

The other three new tracks follow in a similar vein. "The Beast" is about wrestling with anxiety attacks ("a beast I can't control"). Hoya's rumbling bass is again featured on "Rebellion" along with a killer mid-song breakdown and this song seems to be about standing up and taking charge. The last new song, "My Blood", is an anthemic riff-driven tribute to Freddy's son.

The two re-recorded songs, "Get Out" and "It's My Life", retain the fury of the original versions but sound immensely better. While some of this sonic improvement can be credited to producer Erik Rutan, one also has to keep in mind that Freddy has come a long way since 1989. Freddy was 12 at the time of the original recording and "Ball of Destruction" recorded in DIY fashion, live to two-track.





Links:
Madball
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Posted in Black N Blue, CD Review, Freddy Cricien, Hoya, Madball | No comments

Monday, July 9, 2012

Cobalt & the Hired Guns: Chicago Pop-Punk Band Plays Union Hall on July 27th

Posted on 8:17 PM by Unknown
DOWNLOAD: Cobalt & the Hired Guns - "Like You Like Me Like Me"

Cobalt & the Hired Guns: Chicago Pop-Punk Band Plays Union Hall on July 25th
It has been a couple years since Cobalt & the Hired Guns came through town. Last time through, they played a brilliant, sweaty show to a packed house at Union Hall and kept the crowd riveted with their mix of punk and Americana "working-man" songs.

After some lineup changes, Cobalt & the Hired Guns (CATHG) regrouped with a new album Everybody Wins! and are playing two local shows over the next few weeks. The first is at Union Hall on Friday, July 27th with Luff and Velah. Cover is $8 and CATHG are taking the stage at 7:30PM. The second show is at Bowery Electric on August 17th. CATHG are playing with Futurist, Xylofaux and BAM. Tickets are $8 in advance and $10 at the door.

Friends since they were just little buckaroos, the boys of Cobalt & the Hired Guns have always aspired to create an album to match their rambunctious live shows. It’s finally here! Their new record, Everybody Wins!, aims for the rafters with a cherry bomb explosion of poppy punk, barroom ballads, power pop, ska, horny rock and good humor. Following up 2008’s Jump the Fence – their first Carbon Neutral album- Everybody Wins! continues the tradition of the band’s commitment to art and environmentalism- and includes their fullest lineup of 20 different players (not all at the same time).

The repertoire for this five-to-twelve piece from Chicago has been described as Americana, Punky Pop, or just Good Ol’ Fashioned Rock n’ Roll. They’ve been compared to The Hold Steady, The Clash, Bruce Springsteen & the E Street Band, The Fratellis, Frightened Rabbit, Backyard Tire Fire, and “Wilco on Xanax covering The Clash”.



I had the pleasure of spending some time with the band prior to their show at Union Hall in '09 and below is some footage of their acoustic pre-show performance.



Links:
Cobalt & the Hired Guns
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Posted in Bowery Electric, Chicago, Cobalt and the Hired Guns, Union Hall | No comments

Town Hall: NYC Indie-Folk Release Covers EP as Free Download / Acoustic Show at Ace Hotel on July 12th

Posted on 7:21 PM by Unknown


Town Hall: NYC Indie-Folk Release Covers EP as Free Download / Acoustic Show at Ace Hotel on July 12th
Indie-folk band Town Hall has compiled all of the cover songs they recorded on the run-up to the release of their full-length debut, Roots & Bells, and released this new 5-track EP as a free download. Town Hall Plays the Classics, Vol. 1 contains unique re-interpretations of the following songs:

* Ja Rule and Ashanti – “Always On Time”
* Frankie Marvin – “Old Man Duff”
* Emmylou Harris, Alison Krauss and Gillian Welch – “Didn’t Leave Nobody but the Baby”
* R. Kelly – “Text Me”
* Jimmy Eat World – “The Middle”

In an interview with Moosick, Sefan Weiner (Vocals/Resonator Mandola) described this project as the “re-imagining songs as an attempt to bring in music from each of our influences (as well as music that is nostalgic for us) and give them the Town Hall treatment.”

I’m not familiar with Ja Rule & Ashanti so, while I can’t make any comparisons to the original, Town Hall’s cover is a delicate, perfectly crafted indie-pop song. Frankie Marvin’s “Old Man Duff” is sung by Stefan and is a cover of a ‘stomping’ folk tune that the band found on an old 78 RPM record from 1931. “Didn’t Leave Nobody but the Baby” is an Americana track, with multi-part harmonies and the prominent use of a banjo adds to the song’s rustic charm. R. Kelly’s misogynous “Text Me” takes on new life and meaning with Phoebe Ryan taking lead vocals on Town Hall’s languid cover. The disc wraps up with Phoebe and Stefan trading-off vocals on a mellow reinterpretation of Jimmy Eat World’s emo chestnut “The Middle”.





Tour Hall’s Upcoming Shows
7/12 The Ace Hotel - New York, NY (acoustic)
7/13 Bushwick Walkabout Festival - Brooklyn, NY

Town Hall is:
Vocals/Omnichord: Phoebe Ryan
Vocals/Resonator Mandola: Stefan Weiner
Guitar: Jesse Kranzler

Links:
Town Hall
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Posted in Bushwick Walkabout Festival, CD Review, Jimmy Eat World, The Ace Hotel, Town Hall | No comments

Sunday, July 8, 2012

Future of What - "Moonstruck" CD EP Review

Posted on 8:43 AM by Unknown


After releasing a solo disc, Die Young (Autumn Tone Records), in 2010, Blair Gimma hooked up with Sam Axelrod (guitarist/vocalist of Chicago’s The Narrator) to form a new full-band project Future of What. The band released its debut EP "Moonstruck" on June 26th as a free download and this four-track/14-minute disc is blissful trip down the synth-driven, ethereal path that a of a number of 4AD bands (NME cited Chairlift as a reference point) have previously traveled.

Blair wrote the songs on "Moonstruck" over the course of 2011 and, home from her solo tour, found she wanted to play in a collaborative band setting. Quickly, one came together: Seth Waldstein had been playing drums with her since 2010; she met Sam Axelrod through mutual friends; and he knew Max Kotelchuck through his sister. The newly dubbed Future of What further fleshed out and arranged Blair's songs, and began rehearsing in January 2012. After playing their first show in February (opening for a sold out Mirah), the band recorded and mixed "Moonstruck" with Daniel Schlett (Here We Go Magic, Friends, DIIV) at Strange Weather studio in Brooklyn, NY over four days in March.

The disc starts out “Back to the City” which sets the tone for the rest of the disc. This song is a hazy and wistful shoegazer number on which Blair's airy, intimate vocals float over keyboard-driven melodies and the pulse of the drum beat. "I Wait For You" is a plaintive number with pulsing keys and vocals weaving in and out of the lush atmospheric sound. “White Light” comes close to Julee Cruise territory with its ethereal vocals, gauzy textures and moody keys. The EP winds up with the aching, dreamlike pulsing beat and shimmering keyboards of "Party in Heaven".



"Moonstruck" Track Listing:
Back To The City
I Wait For You
White Light
Party In Heaven

The band is still writing and recording in preparation for a forthcoming full-length. In a recent interview with the Village Voice’s “Sound of the City”, Sam Axelrod said “I feel like a full-length will be a bit more expansive. I feel the EP songs are a little similar to each other, as opposed to what the album would be. It'll be a little bit more shuffling the deck. More moods. More variety. It's tricky, when you're in a band and writing songs, every song sounds so different to you because you spend so much time with them.”

Links:
Future of What
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Posted in Blair Gimma, Brooklyn, CD Review, Future of What, Shoegazer | No comments

Saturday, July 7, 2012

New Rides of the Furious Swampriders CD Review

Posted on 7:33 PM by Unknown
New Rides of the Furious Swampriders CD Review
The Perc Presents New Rides of the Furious Swampriders is the fourth volume in a series whose first volume dates back to 1990. The concept behind the original volume was a collection of songs that are “different, rusty, dusty and dirty with edges”. Jeffrey Lee Pierce contributed to the second volume and the liner notes in this new disc state that Pierce was “THE swamprider par excellence” for compilation masterminds Tom “The Perc” Rendecker and Strange Ways Records label boss Lothar Gatner. (This is important to note as a handful of tracks on this disc come from We Are Only Riders – The Jeffrey Lee Pierce Sessions Project.) After a twelve year silence, Rendecker (Gatner passed away in 2005) decided to round-up the swampriders for one more ride.

One of the comments about the We Are Only Riders project was that it was “all a bit Nick Cave, which is not a bad thing” and one could make a similar comment about this project as Cave and Pierce’s influences shine bright. Like the first volume, music on this new disc includes “acoustic guitars and synthesizers” and ranges from “folk, punk, rockabilly, krautrock and minimal beat”. The disc starts strong with the heavily Middle-Eastern influenced track “The Threshingfloor” (by Wovenhand – x-16 Horsepower) before going into Deborah Harry’s haunting rendition of Jeffrey Lee Pierce’s “Lucky Jim”. This track is from We Are Only Riders and includes Chris Stein and Nick Cave accompanying Pierce and Cypress Grove’s session work. The Raymen’s swamp-blues track “When Death’s Black Train is coming to Town” follows this and sounds heavily influenced by mid-period Nick Cave.



This is an eclectic disc and other tracks include M. Walking on the Water’s deconstruction of Depeche Mode’s “Enjoy the Silence” and The Dad Horse Experience’s dark, new wave oom-pah (complete with kazoo) track “Kingdom It Will Come”. 16 Horsepower’s cover of Rainer Ptacek’s “De-Railed” channels the spirit of the Gun Club and Lydia Lunch & Dave Alvin’s cover of Pierce’s “Walkin’ Down the Street (Doin’ My Thing)” is malevolent, dangerous and brilliant. Mixing things up, The Walkabouts’ “Soul Thief” is garage rock with a pumping beat and Velvetone w/ the Fat Honks song “The River” is straight-on funked-up soul. The disc closes with “Take You Home”, which is a previously unreleased indie-rock tune from Harry Payuta. Paytuta and his then band Vee Jays participated on the first Swampriders album in 1990 so this volume of the series completes the circle.

The Perc Presents New Rides of the Furious Swampriders Track List
1. Wovenhand – "The Threshingfloor"
2. Deborah Harry – "Lucky Jim"
3. The Raymen – "When Death’s Black Train Is Coming To Town"
4. M. Walking On The Water – "Enjoy The Silence"
5. The Dad Horse Experience – "Kingdom It Will Come"
6. Sixteen Horsepower – "De-Railed"
7. The Perc – "Sleeping Dog"
8. Lydia Lunch & Dave Alvin – "Walkin’ Down The Street (Doin’ my own Thing)"
9. Kirschbaum-Weisshoff-Trio - "Heartbreak Hotel"
10. The Walkabouts – "Soul Thief"
11. Velvetone w/The Fat Honks – "The River"
12. Golden Kanine – Law of probable Outcome"
13. Johnny Dowd – Constant Waiting"
14. Harry Payuta – Take You Home

Links:
The Furious Swmapriders Series
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Posted in CD Review, Deborah Harry, Jeffrey Lee Pierce, New Rides of the Furious Swampriders | No comments
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